We speak to the screenwriter of Mr Loverman, Nathaniel Price. His earlier credits include Noughts & Crosses (BBC), Tin Star (Sky) and The Outlaws (BBC/Amazon). We spent some time discussing being part of BAFTA’s Breakthrough cohort this year, his experiences with screenwriting for Mr Loverman and other hurdles that he encountered on his journey. 

From the return of Ballet Shoes at the National Theatre and Ballet Black’s SHADOWS at Sadler’s Wells, to women going through it at Theatre 503 and the Royal Court, this week in theatre is a feast for the senses. 

The beautiful thing about this play was how much it still felt like home regardless of the fact that the play was centring the black male experience. It really is a relatable watch for anyone, despite where you land on the crossroad of intersectionality.

What have some of your favourite recipients of BAFTA Breakthrough been up to since their appointments and where can you see them next? 

The documentary Fearless celebrates women from the Windrush generation that are rarely seen on screen: six elders in their late 70s to 90s who journeyed from the Caribbean, South Asia, and Ireland to Britain decades ago. 

Directors Shola Lynch and Reginald Hudlin on their latest project focusing on black Hollywood, two-part series Number One on the Call Sheet.

Star performances came from all cast members, particularly Arinzé Kene and Karl Collins with their impeccable one-liners and comedic timing.

Rachel Morrison and Ryan Destiny chat about their latest project, The Fire Inside. Telling the real story of boxer Claressa Shields.

Theatre reviewer Ilayda McIntosh reviews the jazzy, live band presentation of Play On! at Lyric Hammersmith.

Ryan Coogler unpacks his new film, Sinners for international fans in a virtual junket.

BIFA winner Susan Chardy talks about her new film On Becoming a Guinea Fowl and working with director Rungano Nyoni in Zambia.

BAFTA Breakthrough has played an impeccable role in the entertainment industry. Here are some of the honourees over the past 11 years.

Ballet Black’s founder Cassa Poncho, on founding the dance school, their upcoming performance at Stratford East and what audiences can learn

Director Monique Touko talks working at the Royal Court on Tife Kusoro's afro-surrealist play G.

'Everything I Own' is more than a monologue; it’s a vivid tapestry of the trials and triumphs of being Black in Northern England.

Not as well covered as its counterparts, the BAFTA Craft Awards took place on Sunday 28 April. Celebrities you don’t often see gracing...

"Luca Guadagnino has never been one to shy away from attempting to turn his audience on. " Ore unpacks Zendaya's latest role as Tashi Duncan

From rival Brontes to trips to New York, there's a show for everyone as April ends and May begins.

Anastasia Osei-Kuffour writer and director of Love Steps discusses the process of poetry to stage.

With spring finally here, we’re getting out and about and you can too with a National Art Pass.